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Westerns have featured prominently in films almost since motion pictures were first produced at the end of the nineteenth century and when televisions invaded American homes in the late 1940s and early '50s, Western programs filled the small screen landscape. Throughout the 1950s and well into the 1960s, these shows dominated television with such long-running successes as Bonanza, Wagon Train, and Maverick. And though the genre has fallen on hard times over the years, it has never died, as Hollywood continues to produce films, mini-series, and shows that keep the west alive.
In Television Westerns: Six Decades of Sagebrush Sheriffs, Scalawags, and Sidewinders, Alvin H. Marill looks at the genre as it was represented from the beginning of television—from the twenty-year run of Gunsmoke to the brutal revisionist take of Deadwood. This volume encompasses all manifestations of the Western, including such series as Rawhide, The Virginian, and The Wild, Wild West, as well as movies-of the-week, mini-series, failed pilots, animated programs, documentaries, and even Western-themed episodes of non-Western series that provided their own spin on the genre.
Alvin H. Marill's Television Westerns offers an overview of small-screen offerings that covers the last six decades, focusing on production and broadcast....The series and televised films covered are not only significant in their role as American entertainment— many of these are, as Marrill points out, the cornerstones of popular culture— they are part of an ongoing web of intertexuality that includes adaptations, appropriations, visual and textual references, borrowings, and inspirations in literature, music, film, and of course, television.
Any opportunity to revisit television's classic ‘oaters’ is a good one as far as I'm concerned, and Alvin H. Marill's
Television Westerns: Six Decades of Sagebush, Sheriffs, Scalawag, and Sidewindersis essentially a survey tracing small-screen horse operas from the medium's earliest days (film transfers like Hopalong Cassidy, radio migrants like The Lone Ranger and Gunsmoke ) through the boom years of the late fifties/early sixties (covered in a chapter titled From Wagon Train and Bonanza to The Virginian and The Big Valley) and right up to the present (including David Milch's profane
Deadwoodand Elmore Leonard's sublime
Justified).
The author of this title, a long published author of several titles in the movie, television, and music arenas, has written a book that looks at the history of the western genre from the beginning of broadcast television in the 1940s to present day. Westerns had their peak time in the 1950s and 1960s with the long-running programming of such hits as Bonanza, Wagon Train, and Maverick, with Gunsmoke and its 20-year run eclipsing them all. The volume includes production, cast, and character information on all television westerns, including hit series, movies of the week, mini series, failed pilots, animated programs, documentaries, and western-themed episodes on non-western television shows. This work touches on nearly all of the major western programming since the beginning of television and provides a nice overview of the genre as a whole.