Ebook
This book provides an enlightening, representative account of how rappers talk about God in their lyrics—and why a sense of religion plays an intrinsic role within hip hop culture.
Why is the battle between good and evil a recurring theme in rap lyrics? What role does the devil play in hip hop? What exactly does it mean when rappers wear a diamond-encrusted "Jesus" around their necks? Why do rappers acknowledge God during award shows and frequently include prayers in their albums? Rap and Religion: Understanding the Gangsta's God tackles a sensitive and controversial topic: the juxtaposition—and seeming hypocrisy—of references to God within hip hop culture and rap music.
This book provides a focused examination of the intersection of God and religion with hip hop and rap music. Author Ebony A. Utley, PhD, references selected rap lyrics and videos that span three decades of mainstream hip hop culture in America, representing the East Coast, the West Coast, and the South in order to account for how and why rappers talk about God. Utley also describes the complex urban environments that birthed rap music and sources interviews, award acceptance speeches, magazine and website content, and liner notes to further explain how God became entrenched in hip hop.
This book provides an enlightening, representative account of how rappers talk about God in their lyrics—and why a sense of religion plays an intrinsic role within hip hop culture.
A bibliography of cited sources on rap music and hip hop culture
An index of key terms and artists
A discography of rap songs with religious themes
Preface
Acknowledgments
Introduction: Understanding the Gangsta's God
1. Communing with God
2. Doin' It for Daddy
3. The Jesus Piece
4. Dealing with the Devil
5. Godly Power
6. The Rap on Rap and Religion
Conclusion: Meaning, Power, and Money
Appendix A: God Talks
Appendix B: Rapper Survey Data
Notes
Selected Bibliography
Selected Discography
Index
Rap and Religion is a compelling read. It will provoke the reader to examine their attitude to a genre that arguably has hegemony in popular culture. Utley vividly describes some of the video footage referred to, enabling the reader to follow the line of academic argument. But there are times when you will simply need to ''YouTube'' a track. Utley enables the reader to recognize that the Hip Hop genre has reinterpreted a Jesus with a strong survival/elevation ethic as opposed to a liberation ethic, helping the gangsta 'to make it through' and embrace success. An outstanding book and a must-read for every academic and practitioner serious about engaging popular culture in an urban context.
Utley . . . presents a unique study of the cultural and sociological context in which religion and hard-edged rap intersect, mainly from the mid 1990s to the present. Also, the book's laid-back prose offers a quick read. . . . Summing Up: Recommended.
[A]n important contribution to an understanding of how people mobilize cultural resources in ways that give meaning to their lives. Utley's writing is engaging and accessible, and is inviting to audiences for whom hip hop culture is more than an academic interest, and rather a central aspect of their lived experience.
Ebony A. Utley, PhD, is assistant professor of communication studies at California State University, Long Beach.